{"id":1515,"date":"2022-05-02T17:37:06","date_gmt":"2022-05-02T15:37:06","guid":{"rendered":"https:\/\/tomasopiva.com\/portfolio_page\/giovanni-baratta-carrara-1670-1747\/"},"modified":"2024-02-20T18:07:02","modified_gmt":"2024-02-20T17:07:02","slug":"giovanni-baratta-carrara-1670-1747","status":"publish","type":"portfolio_page","link":"https:\/\/tomasopiva.com\/en\/archives\/portfolio_page\/giovanni-baratta-carrara-1670-1747","title":{"rendered":"G. Baratta, Omphale&#8217;s bust"},"content":{"rendered":"Giovanni Baratta (Carrara 1670 \u2013 1747) <br>\r\n<em>Omphale\u2019s bust<\/em> <br>\r\nCarrara marble <br>\r\ncm. 88 x 58 (with base) <br>\r\n<br>\r\nEntry by dr. Monica De Vincenti<br>\r\n<br>\r\nReference literature: <br>\r\nG. Ratti, Istruzione di quanto pu\u00f2 vedersi di pi\u00f9 bello in Genova, Genova 1766\r\nH. Honour, Count Giovanni Baratta and his brothers, in \u201cThe Connoisseur\u201d,\r\n141, 1958, 573, pp. 170-177\r\nH. Honour, Baratta, Francesco, in Dizionario Biografico degli Italiani, 5, Roma 1963, pp. 789-790 La scultura a Genova e il Liguria. Dal Seicento al primo Novecento, a cura di\r\nF. Franchini Guelfi, Genova 1988\r\nF. Franchini Guelfi, Contributo a Francesco Maria Schiaffino e a Francesco Baratta, in \u201cBollettino ligustico per la storia e la cultura regionale\u201d, n.s., 1, 1989, pp. 59-66\r\nM. De Grassi, Lorenzo Mattielli (Vicenza, 1687 \u2013 Dresda, 1748). Omphale, in Piva&#038;C. 2011 Collection, Milano 2001, pp. 4-5.\r\nF. Freddolini, Francesco Baratta: un nome, due scultori, due secoli, in \u201cNuovi Studi\u201d,\r\n14, 2009, pp. 269-285\r\nF. Freddolini, Giovanni Baratta 1670-1747. Scultura e industria del marmo tra la Toscana e le corti d\u2019Europa, Roma 2013","protected":false},"excerpt":{"rendered":"<p>Giovanni Baratta (Carrara 1670 \u2013 1747) Omphale\u2019s bust Carrara marble cm. 88 x 58 (with base) Entry by dr. Monica De Vincenti Reference literature: G. Ratti, Istruzione di quanto pu\u00f2 vedersi di pi\u00f9 bello in Genova, Genova 1766 H. Honour, Count Giovanni Baratta and his&#8230;<\/p>\n","protected":false},"author":1,"featured_media":1512,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","portfolio_category":[40],"portfolio_tag":[],"class_list":["post-1515","portfolio_page","type-portfolio_page","status-publish","has-post-thumbnail","hentry","portfolio_category-sculptures"],"acf":[],"_links":{"self":[{"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/portfolio_page\/1515","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/portfolio_page"}],"about":[{"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/types\/portfolio_page"}],"author":[{"embeddable":true,"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/comments?post=1515"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/media\/1512"}],"wp:attachment":[{"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/media?parent=1515"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/portfolio_category?post=1515"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/tomasopiva.com\/en\/wp-json\/wp\/v2\/portfolio_tag?post=1515"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}